Stephen Suckale's exhibition "Memory" features a selection of tapestries made from jacquard fabrics mounted on woven seat cover textiles from public transportation. The latter are known for their durability, distinctive patterns, and use as anti-vandal fabrics in commuter and subway trains.
The works on display address various aspects of a loss of control that is connoted as sinful. Human states such as desire, gluttony, greed, sloth, anger, envy, and pride form a basis of capitalist structures and production mechanisms.

Joseph-Marie Jacquard, a renowned 19th-century master weaver, developed the Jacquard loom process that enabled the automated creation of complex patterns and designs through the use of punch card control. This groundbreaking innovation revolutionized the textile industry and laid the foundation for the automation of weaving processes.

In the exhibition "Memory", this important historical heritage is linked with current social and technological developments and those human tendencies that make permanent economic growth and ever faster production processes necessary in the first place. This creates an exciting dialogue between traditional craftsmanship and the design possibilities of machine learning. Thus, the exhibition "Memory" seems to bite itself in the tail on a formal and content-related level - like the allegory of the self-consuming snake.

(This text was created with the help of ChatGPT.)